We Need to Talk About Kevin – A Review

November 5, 2011


 
You’ve seen the right-wing version of this film countless times.  Charles Bronson made a career out of killing guys like Kevin: the sneering psychopaths we love to hate.  But every psycho has a mother.  That’s the hook – both in Lynne Ramsay’s new adaptation of Kevin, and Lionel Shriver’s unusual best-seller.  This is story of a woman’s private hell.  The mood of the film is toxic: polluted love.  You want to see Kevin pushed off a cliff.  You want to see him hang, see him riddled with bullets.  But he lives.  This is not a thriller, or a horror story.  There is no vengeful resolution, because the heart of the drama isn’t: Who will stop Kevin?  It’s: Who’s to blame?  His mother is an accomplice to the crime.  She’s not the hero.

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