The Muppets – A Review

February 13, 2012

 
Jim Henson was like a father to me.  He was everywhere in the 80s; a puppet didn’t appear on TV or in film without Henson’s imprimatur.  My images of childhood are mostly foam or fur-covered, thanks to him.  I’m eternally grateful that I grew up in the halcyon days before CGI, when puppets were king.  The kind of wholesome anarchy Jim favoured was paradise for kids.  He was Walt Disney without the evil.  His most famous creations, The Muppets, didn’t have that weird, repressed quality you find in Mickey Mouse.  They’re free-wheeling, loose-limbed, all-too-human.  Kermit the Frog is wonderfully frayed.  You can’t feel so tenderly about pixels, or a drawing.  There’s a vacuum of sentiment.  Jim Henson’s legacy is tactile.

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